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・ Missa
・ Missa (EP)
・ Missa Atropos
・ Missa brevis
・ Missa Brevis (Bernstein)
・ Missa Brevis (Britten)
・ Missa brevis (Haydn)
・ Missa brevis Sancti Joannis de Deo
・ Missa Cantata
・ Missa Caput
・ Missa Cellensis
・ Missa Cellensis in honorem Beatissimae Virginis Mariae
・ Missa cuiusvis toni
・ Missa de Beata Virgine
・ Missa de Beata Virgine (Josquin)
Missa Dona nobis pacem
・ Missa Gaia/Earth Mass
・ Missa Gaudeamus
・ Missa Hercules Dux Ferrariae
・ Missa Hispanica
・ Missa in Angustiis
・ Missa in B minor
・ Missa in honorem Sanctae Ursulae
・ Missa in tempore belli
・ Missa Johnouchi
・ Missa Keswal railway station
・ Missa L'homme armé
・ Missa L'homme armé sexti toni
・ Missa L'homme armé super voces musicales
・ Missa La sol fa re mi


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Missa Dona nobis pacem : ウィキペディア英語版
Missa Dona nobis pacem

The ラテン語:Missa ''Dona nobis pacem'' (Mass ''Grant us peace'') is a setting of the Latin Order of Mass by the Lutheran composer Ernst Pepping for unaccompanied choir (''ドイツ語:für Chor''). The voices are divided from four-part choir SATB to two four-part choirs. Composed in 1948, the work was published by Bärenreiter in 1949.
== Background ==

Pepping was a composer who relied on Baroque models but first wrote severe works with "uncompromising dissonance".〔 An able teacher with ties to the Confessing Church in the 1930s he wrote more compromising music and was "left alone" by the Nazis. He composed a ''ドイツ語:Deutsche Choralmesse'' in 1931, setting not the Order of Mass, but a series of chorales related to the functions in the liturgy of the mass, and thus comparable to Schubert's ''ドイツ語:Deutsche Messe''. In 1938, after a 1937 Church Music Festival in which he participated, he composed a German mass, ''ドイツ語:Deutsche Messe: Kyrie Gott Vater in Ewigkeit'' (''German Mass: Kyrie God Father in Eternity'') for a six-part mixed choir, which stressed German, following the party line.〔
Pepping composed no more church music until 1948, when he wrote the ラテン語:Missa ''Dona nobis pacem'', possibly as a "personal plea".〔 The musicologist Sven Hiemke who analyzed the work in a book on Pepping's mass compositions notes that the work can be understood as ''ドイツ語:Bekenntnismusik'' (confessional music) even if the composer would disagree.〔

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